She wrote the quintet for clarinet, accordion, violin, viola and cello in 2000.įor conductor Andrew Manze, it was important that the concert program also include the freethinking composer Joseph Haydn, who was an important role model for Mozart. Next, we move on to a piece by German composer Isabel Mundry, whose work "Traces des Moments," or "traces of moments" featured in the concert. 23, which featured Korean pianist Seong-Jin Cho as soloist. It's this idea that conductor Andrew Manze wanted to emphasize in the Bamberg Symphony's performance of Mozart's Piano Concerto No. Instead, these terms are applied to today's contemporary classical music. Nowadays, Mozart's composition style is hardly ever described as too complicated or difficult, even though it was often labeled so in its time. He said he shouldn't compose such complicated pieces that flaunted his musical sophistication. Würzburg festival director Evelyn Meining tells us more: "Mozart's father, Leopold, reprimanded him over this piano concerto. It's said that Mozart's father worried a great deal about whether his son's music would be well received by the average concertgoer. 23 often sounds relatively easy to play, but it's actually quite complex and profound. In contrast to Stravinsky, other composers want as few restrictions as possible while composing. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video There was no stopping Mozart To him, this was a matter of artistic freedom, as he himself said: "My freedom thus consists in my moving about within the narrow frame that I have assigned myself for each one of my undertakings." When Sacher came to Stravinsky with the commission request, the composer answered that he would only accept if the piece were no longer than 10 to12 minutes. In the 1980s, in a spectacular move, he acquired Stravinsky's entire estate. Sacher, a Swiss millionaire, commissioned around 250 pieces from contemporary composers over the course of his lifetime. Stravinsky wrote his Concerto in D in 1946 on commission from the conductor and patron Paul Sacher, who wanted a piece to celebrate the 20th anniversary of his Basel Chamber Orchestra. In this episode, we'll listen to Andrew Manze conducting the Bamberg Symphony performing Igor Stravinsky's Concerto in D, at the opening concert of the 2022 Würzburg Mozart Festival on May 21. He was groundbreaking and he also drew on musical tradition, such as in the "Concerto in D," also know as the "Basel Concerto." In this piece for string orchestra, Stravinsky used typical Baroque rhythms and dance forms. The same holds true for much of the music of 20th century composer Igor Stravinsky. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Birds of a feather
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